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‘Le Moyen de lire eux-mêmes’: Self-understanding and the Aesthetic Experience of reading in Proust’s A la Recherche du temps perdu

机译:“自我阅读的方式”:普鲁斯特《寻找时光》中的自我理解和阅读的审美体验

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摘要

This thesis discusses the aesthetic experience of reading in Proust’s A la Recherche du temps perdu, with a special emphasis on the Narrator’s proposition that a literary work may enable its readers to become ’les propres lecteurs d’eux-memes’ (RTFIV, 610). This view prompts two crucial questions about self-understanding through reading: (i) what is meant by ’self and (ii) what makes the process of reading literature special, as opposed to other aesthetic experiences and the reading of other kinds of texts. The first part of the thesis focuses on subjectivity and the relation between primary experience and mediation in Proust, addressing the underlying tension between two views of selfhood in the Recherche - a self which evolves around some kind of essence at the centre of experience, and a much more fragmented subject which needs to be constantly recomposed. Rather than being an exclusively metaphysical enquiry into how subjectivity is presented in the novel, this study focuses, though close analysis of Proust’s text, on the ways in which this potential self-understanding can be attained through literature; the second part therefore compares reading to other aesthetic experiences - those of visual art, music and performance - while the third and final part focuses specifically on literature’s communicative possibilities and the different modes of reading in the novel. The thesis argues that the specificity of aesthetic reading is attached to the absence (or at least subsidiary role) of material, sensory stimuli from the artwork itself, which compels readers’ imagination to work closely with (and largely depend on) their past and present experiences outside the text at hand. This collaboration is the germ of the Proustian ’moyen de lire en soi-meme’ (RTFIV, 610) as it enables the reader to overcome the separation between the actual, direct, affective experience in the world and the mediated, reflectiv
机译:本文讨论了普鲁斯特《时报》中阅读的审美经验,并特别强调了叙事者的主张,即文学作品可以使读者成为“模因表达者”(RTFIV,610)。 。这种观点引发了关于阅读的自我理解的两个关键问题:(i)自我的含义和(ii)使文学阅读过程与众不同的是什么,这不同于其他审美经验和阅读其他类型的文本。论文的第一部分关注普鲁斯特中的主观性和主要经验与调解之间的关系,以解决里氏社会两种关于自我的观点之间的内在张力-一种围绕经验本质在某种本质上进化的自我,以及更加零散的主题需要不断地重新构成。尽管对普鲁斯特的文本进行了仔细的分析,但这项研究不是对小说如何表现出主观性进行专门的形而上的质问,而是着重于通过文学可以实现这种潜在的自我理解的方式。因此,第二部分将阅读与其他美学体验(视觉艺术,音乐和表演的体验)进行比较,而第三部分和最后一部分则专门针对文学的交流可能性和小说中的不同阅读方式。该论文认为,审美阅读的特殊性与艺术品本身缺乏(或至少是辅助作用)物质,感官刺激有关,这迫使读者的想象力与他们的过去和现在紧密合作(并在很大程度上取决于他们的过去和现在)在手头文字之外的经验。这项合作是Proustian的“ moyen de lire en some-meme”(RTFIV,610)的萌芽,因为它使读者能够克服世界上实际,直接,情感的体验与中介的,反思性的体验之间的分离。

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    Orhanen Anna;

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  • 年度 2013
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