首页> 外文OA文献 >Between Art-Object, situations and performativity investigating performativity as an ontological and psychoanalytic process within trans- disciplinary art practices.
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Between Art-Object, situations and performativity investigating performativity as an ontological and psychoanalytic process within trans- disciplinary art practices.

机译:在艺术对象,情境和表演性之间调查表演性,作为跨学科艺术实践中的本体论和精神分析过程。

摘要

The research investigates the possibility that performativity in relation to art points toward a change from the emphasis on an artwork depicting and representing issues of an artist’s contemplation to the affect and experience an artwork may provide for a viewer. It proceeds by analysing art historical models of post conceptual and dematerialised practice and critical literature linking performativity, relational-psychoanalytic theory and methods of performative ontology. From this, the research works through trans-disciplinary arts practice as a substantive site of enquiry. One of the driving aims of this project is to investigate performative ontology in and through artistic inquiry. The research engages participatory and inter-subjective exchange in and through artworks as its principle practice-based methodology. The research proposes that performativity is connected to iterative practices, which both authorise and negate subjects and their performances. The project investigates performativity as durational, by which the present gesture, enacted by the subject is always an iteration or repetition of preceding events. It is the assertion of this project that practice-led research, within performative modes of practice, need to enable the multi-variant voice emanating from participatory exchange. This enablement may then open to a more comprehensive articulation of a performative research culture, realised through enactments.
机译:这项研究调查了与艺术相关的性能指向从描绘和代表艺术家沉思问题的艺术品到艺术品可能给观众带来的影响和体验的转变的可能性。它通过分析后概念和非物质实践的艺术历史模型以及将性能,关系心理分析理论和性能本体方法联系起来的批判文献进行分析。由此,该研究通过跨学科的艺术实践作为实质性的研究场所。该项目的驱动目标之一是在艺术探究中以及通过艺术探究来研究表演本体。这项研究以基于实践的原则为基础,通过艺术进行参与性和主体间的交流。该研究提出,性能与迭代实践有关,后者可以授权和否定主题及其表现。该项目研究了持续性的表现力,通过该表现力,对象所执行的当前手势始终是先前事件的迭代或重复。该项目的主张是,在实践的实践模式内,以实践为主导的研究需要使参与交流产生的多变量声音成为可能。这样,通过立法就可以使表演研究文化更全面地表达出来。

著录项

  • 作者

    Mangion R;

  • 作者单位
  • 年度 2016
  • 总页数
  • 原文格式 PDF
  • 正文语种
  • 中图分类
  • 入库时间 2022-08-20 21:55:57

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