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FRANCES PRIEST: SURFACE AND SHAPE

机译:弗朗西丝·普里斯特:表面与形状

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Silence pervades this exhibition of new work by Frances Priest. Each piece commands its individual space with poise, inviting the viewer to discover its landscape of surface and form. Priest has exhibited widely internationally - exhibitions this year include SOFA in New York, Collect in London and Surface, Texture, Form with The British Crafts Council in Tokyo. Throughout her career she has pursued a very particular dialogue between simplicity and harmony, developing and refining her language through the exploration of ceramic marks upon the blank canvas of unglazed curved clay slabs. With this latest group of pieces a new richer vocabulary of surface qualities has been achieved. Through the relationship of two slabs, her sensitive line drawing and the textural surface, Priest now explores the three-dimensionality of her otherwise two-dimensional forms.
机译:沉默弥漫在弗朗西斯·普里斯特(Frances Priest)的这次新作品展览中。每件作品都以沉着的姿态掌控着自己的个人空间,邀请观众发现其表面和形式的风景。普里斯特(Priest)已在国际上广泛展出-今年的展览包括纽约的SOFA,伦敦的Collect和伦敦英国工艺委员会的Surface,Texture,Form。在她的整个职业生涯中,她一直致力于在简单与和谐之间进行非常特殊的对话,通过在未上釉的弯曲粘土板的空白画布上探索陶瓷标记来发展和完善自己的语言。有了这组最新作品,就获得了新的更丰富的表面质量词汇。通过两个平板之间的关系,她敏感的线条图和纹理表面,Priest现在可以探索她的二维形式的三维性。

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    《Ceramic review 》 |2005年第216期| 共1页
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  • 正文语种 eng
  • 中图分类 陶瓷工业 ;
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