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The Mundane and Extraordinary

机译:平凡而非凡

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At first glance Rob Barnard's career reflects the classic immersion of a Western potter into Oriental ceramic practice. Inspired by a raku tea bowl in Bernard Leach's A Potter's Book while a ceramics student, he moved to Japan in 1974 where he lived for five years before returning to the United States to become one of the first American potters to build his own anagama kiln and start wood firing. However, Barnard's initial contact with Japan was not as a potter pilgrim seeking out National Living Treasures; he has never subscribed to the narrow view of Japanese ceramics as the product of an idyllic pre-industrial society. His route was the product of a series of disparate experiences including military service in Vietnam, a Japanese university education and direct contact with Kazuo Yagi (1918-1979) a co-founder of Sodeisha and the most important post-war avant-garde ceramic artist.
机译:乍看之下,罗伯·巴纳德(Rob Barnard)的职业生涯反映了西方陶工对东方陶瓷实践的经典沉浸。受伯纳德·里奇(Bernard Leach)的《陶艺家》中的一个乐天茶碗的启发,他是一名陶瓷学生,他于1974年移居日本,在那里住了五年,然后回到美国成为首批建造自己的蓝藻窑和陶器的美国陶艺家之一。开始烧柴。然而,巴纳德与日本的最初接触并不是作为陶器朝圣者寻找《国家生物宝藏》;他从未认同日本陶瓷是田园般的前工业社会产物的狭view观点。他的路线是一系列不同经历的产物,这些经历包括在越南服兵役,日本大学教育以及与Sodeisha的共同创始人,战后最重要的前卫陶瓷艺术家八木和雄(1918-1979)的直接联系。 。

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    《Ceramic review》 |2005年第216期|共3页
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  • 正文语种 eng
  • 中图分类 陶瓷工业;
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