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RD Field Tobacco Jar The Wedge O'Pie Project or The Cunningham Tobacco Jar

机译:RD实地烟缸Wedge O'Pie项目或Cunningham烟缸

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HANDMADE POTTERY AND CERAMIC PRODUCT DESIGN OFTEN MAKE FOR Strange bedfellows. It is not that they are mutually exclusive of each other. Potters are makers of objects. Drawn to that deep tactile and emotive force that working with clay elicits, the vocabulary of process is paramount. Everything involved with shaping clay by hand defines our thinking about the entirety of every action that we take as makers of the hand-formed object. What differentiates the making of handmade pottery from ceramic product design is not only a choice of words but the actions necessary as a design process with conceptualisation, visualization, designing and then, finally, the making of the piece. This process starts on paper. There can be volumes of handwork but computer modelling, sketching, drawing, CNC machining or hand-making of the model and other steps are those that extend our thinking about what is necessary to design a ceramic product for reproduction by slip casting, hydraulic pressing or jigger-jolly.
机译:手工制陶器和陶瓷产品设计经常用于奇怪的床上用品。它们之间不是相互排斥的。陶艺家是物体的创造者。被黏土所吸引的那种深厚的触觉和情感力量,过程的词汇是最重要的。手工成型粘土涉及的所有内容定义了我们对作为手工成型物体的制造者所采取的每个动作的整体的思考。手工陶器制作与陶瓷产品设计的区别不仅在于文字的选择,还包括作为设计过程的必要动作,包括概念化,可视化,设计,最后是作品的制作。此过程开始于纸上。可能会有大量的手工工作,但是计算机建模,草图绘制,制图,CNC加工或模型的手工制作以及其他步骤可以扩展我们的思想,以设计通过滑模铸造,液压压制或跳汰机快活。

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