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Editors' preface: Narrative medicine, or a sense of story

机译:编辑序言:叙事医学或故事感

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Literature and medicine, as a field of inquiry and practice, has led to important changes in the lived experience of illness and the day-to-day enterprise of caring for those who seek health care. The clinical legacy of literature and medicine begins from a ground-floor recognition that experiencing and treating sickness are language-using events. From here, we move spirally toward original sightings of the deep events of illness, health, and care of the sick. As Bernard says in his final chapter of Virginia Woolf's The Waves, "The trees, scattered, put on order; the thick green of the leaves thinned itself to a dancing light. I netted them under with a sudden phrase. I retrieved them from formlessness with words."1 Retrieving things from formlessness with words is what we on either side of the clinical relationship are training ourselves to do. Form holds things, makes them visible—psychoanalyst Hans Loewald says writing makes the immaterial material—and so gives power to the viewer and to the representer to approach and perhaps to comprehend or at least to face the real, that which happens, that which matters despite all the forces that collude to keep them invisible.
机译:文学和医学作为一种探究和实践的领域,已导致疾病的生活经验以及照顾患者的日常工作发生了重要变化。文学和医学的临床遗产始于底层的认识,即经历和治疗疾病是使用语言的事件。从这里开始,我们螺旋式地朝着疾病,健康和病人护理等深层事件的原始目光前进。正如伯纳德(Bernard)在弗吉尼亚·伍尔夫(Virginia Woolf)的《海浪》(The Waves)的最后一章中所说:“树木散落,整齐有序;树叶浓密的绿色使它变薄,像跳舞的光芒。我突然把它们笼罩在网下。我从无形中找回了它们。 “用言语从言语无味中找回东西是我们在临床关系的两边都在训练自己去做的事情。”形式持有事物,使事物可见—心理分析学家汉斯·洛瓦尔德(Hans Loewald)说写作使非物质材料成为现实,从而赋予观看者和代表以力量,使他们能够接近并理解或至少面对真实的,发生的,重要的事情尽管有种种合力使它们不可见。

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