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Anatomy Education and the Observational-Embodied Look

机译:解剖学教育与观察性表情

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Based on observations and interviews collected during a yearlong ethnography of two anatomy laboratory courses (an undergraduate and medical/dental course) at a large Midwestern university, this article argues that students learn anatomy through the formation of an observational-embodied look. All of the visual texts and material objects of the lab-from atlas illustrations, to photographs, to 3D models, to human bodies-are involved in this look that takes the form of anatomical demonstration and dissection. The student of anatomy, then, brings together observation (the act of looking), visual evidence (what one sees in the body), haptic experience (the act of touching), and anatomical-medical knowledge (what one labels the body) to identity as anatomy those objects on display. Through an interrogation of and reflection on the bodies of the course, the participants must learn to recognize and appreciate the descriptive and relational values of anatomical evidence, and in the process develop the habitus of anatomists. Drawing from the work of Maurice Merleau-Ponty, Pierre Bourdieu, and Herbert Dreyfus, the author seeks to both uncover how students learn anatomy as well as articulate a theory of embodied learning.
机译:基于对中西部一所大型大学的两个解剖学实验室课程(本科和医学/牙科课程)进行的为期一年的人种志研究所获得的观察结果和访谈,本文认为,学生通过形成观察性外观来学习解剖学。实验室的所有视觉文本和实物-从地图集插图到照片,3D模型再到人体-都以解剖学演示和解剖的形式参与其中。然后,解剖学的学生将观察(看的动作),视觉证据(一个人在体内看到的东西),触觉体验(触摸的动作)和解剖医学知识(一个在身体上标记的东西)汇集在一起​​,将这些对象作为解剖学来显示。通过对课程主体的询问和反思,参与者必须学会认识并欣赏解剖学证据的描述性和相关价值,并在此过程中养成解剖学家的习惯。作者从莫里斯·梅洛-庞蒂,皮埃尔·布尔迪厄和赫伯特·德雷福斯的作品中汲取灵感,力图揭示学生如何学习解剖学以及阐明体现学习的理论。

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