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ON THE FRINGE

机译:在边缘

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摘要

Tim Richardson describes the Chelsea Fringe (an event founded by the critic) as "bursting out of the Chelsea Flower Show to reach parts of London that the Flower Show doesn't reach". It is "complementary, distinctive and different". Anyone who visitedone of the 200-plus Fringe events over the three-week period at the end of May and into June will agree that the Fringe is certainly different. It is about community engagement and neighbourliness, with a hint of the political thrown in - anything "as long as it's legal". It is about gardeners and about plants, not about expensive gardens, and not very much about design. So why write about it in Garden Design Journal?As designers we should be excited about the luge interest there is at a local level for gardens, for growing fruit and vegetables, and using plants to attract wildlife. These are gardens in )uilt-up urban spaces, many relying on the determination of residents to get them up and running and then to sustain that commitment into the long term. Designers often enjoy the challenge of creating gardens on a small budget and of working with people who are interested in plants, especially in growing their own produce, so it is inspiring to see what can be achieved in seemingly unprepossessing spaces.
机译:蒂姆·理查森(Tim Richardson)将切尔西边缘事件(由批评家发起的一项活动)描述为“突如其来地切尔西花卉展览到达了该花卉展览没有达到的伦敦部分”。它是“互补的,独特的和不同的”。在5月底至6月的三周内访问过200多次边缘艺人活动的任何人都将同意,边缘艺人肯定有所不同。它涉及社区的参与和邻里关系,并带有政治上的暗示-任何“只要合法”的内容。它与园丁和植物有关,与昂贵的花园无关,与设计无关。那么为什么要在《花园设计期刊》上写这篇文章呢?作为设计师,我们应该对当地的花园,种植水果和蔬菜以及利用植物吸引野生动植物的兴趣引起兴奋。这些是城市空间中的花园,许多花园都依靠居民的决心来使它们开始运转,然后长期维持这一承诺。设计师常常会面临这样的挑战,即以较小的预算创建花园以及与对植物感兴趣的人们合作,尤其是对自己生产的产品感兴趣,因此启发人们去看一看在似乎没有任何空间的空间中可以实现的目标。

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