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A Social Constructionist Account of Grief: Loss and the Narration of Meaning

机译:社会建构主义者对悲伤的描述:损失与意义叙事

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摘要

In contrast to dominant Western conceptions of bereavement in largely intrapsychic terms, the authors argue that grief or mourning is not primarily an interior process, but rather one that is intricately social, as the bereaved commonly seek meaning in this unsought transition in not only personal and familial, but also broader community and even cultural spheres. The authors therefore advocate a social constructionist model of grieving in which the narrative processes by which meanings are found, appropriated, or assembled occur at least as fully between people as within them. In this view, mourning is a situated interpretive and communicative activity charged with establishing the meaning of the deceased's life and death, as well as the postdeath status of the bereaved within the broader community concerned with the loss. They describe this multilevel phenomenon drawing first on psychological research on individual self-narratives that organize life experience into plot structures that display some level of consistency over time, whose viability is then negotiated in the intimate interpersonal domain of family and close associates. Second, they explore public communication, including eulogies, grief accounts in popular literature, and elegies. All of these discourses construct the identity of the deceased as he or she was, and as she or he is now in the individual and communal continuing bonds with the deceased. Finally, they consider different cultural contexts to see how expressions of grief are policed to ensure their coherence with the prevailing social and political order. That is, the meanings people find through the situated interpretive and communicative activity that is grieving must either be congruent with the meanings that undergird the larger context or represent an active form of resistance against them.
机译:与西方主要在内部心理方面对丧亲的主流观念相反,作者认为,悲伤或哀悼不是主要的内部过程,而是复杂的社会过程,因为失去亲人的人通常寻求这种意想不到的转变的意义,不仅是个人的,而且是个人的。家族,更广泛的社区甚至文化领域。因此,作者提倡一种悲伤的社会建构主义模型,在这种模型中,发现,运用或聚集含义的叙事过程至少在人与人之间完全一样地发生。按照这种观点,哀悼是一种现场的解释和交流活动,旨在确定死者生死的意义,以及在与损失有关的更广泛社区中死者的死后身份。他们首先通过对个体自我叙事的心理学研究来描述这种多层次现象,这些个体叙事将生活经验组织成情节结构,随着时间的推移显示出一定程度的一致性,然后在家庭和亲密的亲密人际关系中协商其生存力。其次,他们探索公共交流,包括悼词,通俗文学中的悲痛叙述和挽歌。所有这些话语都构成了死者的身份,就像他或她现在以及现在与死者在个人和社区中保持联系一样。最后,他们考虑了不同的文化背景,以了解如何规范悲伤的表达方式以确保其与当时的社会和政治秩序相一致。就是说,人们通过悲伤的现场解释和交流活动发现的意义必须与支持更大背景的意义相一致,或者代表对他们的积极抵抗形式。

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