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Design Thinking and the Question of Modernity

机译:设计思维与现代性问题

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The term modern is typically associated with form, material and style in reference to products and industrial design. Modernity though has a century of use behind it in reference to design, and longer if one considers aesthetics, art, literature and the enduring legacy of the Enlightenment. Within this historical context there are considerable ambiguities and complexities associated aesthetically with the term. Today modernity, as seen in the advancement of technology, maintains a dominant yet strange presence. Given sophisticated yet convenient technology, blurred cultural distinctions and a chronic state of change, modernity is certainly open to questioning.rnYet, within this swirling milieu can one approach the question of modernity (and postmodernism) in a fresh way? This paperrnseeks to explore attributes of design thinking as a means to further an overall discussion on modernity itself, as a continuing project, and inclusive of its pluralistic postmodernist face.
机译:相对于产品和工业设计,现代一词通常与形式,材料和风格相关。现代性虽然在设计方面有一百多年的应用历史,但如果考虑美学,艺术,文学和启蒙运动的悠久历史,则需要更长的时间。在这一历史背景下,该术语在美学上存在相当多的歧义和复杂性。如今,从技术的进步中可以看出,现代性一直保持着主导地位,但又很奇怪。有了先进而又方便的技术,模糊的文化差异和长期变化的状态,现代性肯定会受到质疑。然而,在这种漩涡状的环境中,人们可以以一种全新的方式来探讨现代性(和后现代主义)问题吗?本文寻求探索设计思维的属性,以此作为对现代性本身(作为一个持续的项目)进行全面讨论的一种手段,并包括其多元化的后现代主义面孔。

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