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Critically examining the use of blog-based fanfiction in the advanced language classroom

机译:批判性地检查高级语言课堂中基于博客的混搭的使用

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This paper critically examines the integration of online fanfiction practices into an advanced university English language classroom. The fanfiction project, The Blogging Hobbit, was carried out as part of a course in the teacher education program at a Swedish university for students who were specializing in teaching English at the secondary school level. Participants were 122 students who completed the course in 2013 and 2014. In both classes, students were organized into groups of three to six to write collaborative blog-based role-play fanfiction of a missing moment from JRR Tolkien's fantasy novel The Hobbit. The 31 resulting pieces of collaborative fanfiction, the online formats they were published in, the 122 reflective essays produced by the two classes, and interviews with a focal group of participants were used to explore how technology and learners' experience with this technology may have mediated the resulting stories. In addition, the classroom fanfiction texts were compared with comparable online writing published in the fanfiction site Archive of Our Own (Ao3) to identify thematic and stylistic differences. The results showed that students' lack of familiarity with publishing in blogs often posed a challenge that some groups were able to overcome or exploit to facilitate or enhance the readability of their completed stories. Compared to online fanfiction, the classroom fanfiction was less innovative with respect to focal characters yet more collective in its focus, with stories being told from multiple characters' perspectives.
机译:本文批判性地审查了在线粉丝实践将在线粉丝实践的整合到高校英语语言教室。博客博福尔博览会的Fanfiction项目是在瑞典大学教师教育计划中进行的一部分,为瑞典学生在中学级别教授英语。参与者是2013年和2014年完成课程的122名学生。在这两个课程中,学生们被组织成三到六个群体,编写基于协作的博客的角色 - 从JRR TOTKIEN的幻想小说霍比特人的遗失时刻的混搭。 31种结果的协作扇形,他们发表的在线格式,由两班的122个反射论文,以及与参与者局灶性群体的访谈被用来探讨技术和学习者如何对这项技术的经验可能已经介导由此产生的故事。此外,课堂Fanfiction文本与我们自己(AO3)的Fanfiction网站存档发布的可比在线写作进行了比较,以确定主题和风格差异。结果表明,学生缺乏博客的出版尚无熟悉往往提出了一项挑战,即某些团体能够克服或利用以促进或增强其完成的故事的可读性。与在线混搭相比,教室的混搭对于焦点角色而言,焦点特征更具创新性,但在其焦点中更具集体,故事来自多个人物的观点。

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