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Urban aesthetics and national identity: the refashioning of Eastern Mediterranean cities between 1900 and 1940

机译:城市美学与民族认同:1900至1940年间地中海东部城市的重塑

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The ideas of urban aesthetics and the demand for new city forms appeared in the Eastern Mediterranean between 1900 and 1940 as a result of the coalescence of various events: the consolidation of European-type nation-states in the Balkans, the emergence of the Republican Turkey, the establishment of the Anglo-French mandate in the Near East and the British influence in Egypt. The refashioning of traditional cities was undertaken by French, British, Italian and German experts, architects and planners, together with local professionals trained in Western Europe. The important number of projects produced at the time show evidence of the diffusion of urban aesthetics ideas emanating from West European centres and their implementation in the Eastern Mediterranean cities. Although this transfer of town planning concepts from the 'centre' to the 'periphery' was occasioned by different factors in each city, those projects are to be understood as reflecting wider strategies needed for regenerating socio-economic and cultural life, and were linked to the broader debate between tradition and modernity, and to the construction of a nationally meaningful urban identity.
机译:1900年至1940年间,由于各种事件的融合,出现了城市美学思想和对新城市形式的需求:地中海地区民族国家在巴尔干的巩固,共和党土耳其的崛起,建立了近东的盎格鲁-法国授权,以及英国在埃及的影响力。法国,英国,意大利和德国的专家,建筑师和规划师以及在西欧受过训练的当地专业人员共同完成了对传统城市的改造。当时产生的大量项目证明了西欧中心地区城市美学思想的传播及其在地中海东部城市的实施。尽管城市规划概念从“中心”到“周边”的转移是由每个城市的不同因素引起的,但这些项目应理解为反映了更新社会经济和文化生活所需的更广泛的策略,并且与传统与现代之间的广泛辩论,以及对构建具有全国意义的城市形象的辩论。

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