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Ethnomusicology Forum

中文名称：民族音乐学论坛

ISSN：1741-1912
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发文量：129

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1.Picken's âPrestigious Artefactsâ and the Legacy of Comparative Musicology: An Appreciation of Folk Musical Instruments of Turkey

机译：皮肯的“著名文物”和比较音乐学的遗产：土耳其民间乐器的鉴赏
- 作者：Ruth F. Davis
- 期刊名称：《Ethnomusicology Forum》 | 2010年第2期
2.Music, National Identity and the Politics of Location: Between the Global and the Local

机译：音乐，民族认同与区位政治：在全球与本地之间
- 作者：Barley Norton
- 期刊名称：《Ethnomusicology Forum》 | 2010年第2期
3.Lives in Chinese Music

机译：生活在中国音乐中
- 作者：Keith Howard
- 期刊名称：《Ethnomusicology Forum》 | 2010年第2期
4.Editorial Board

机译：编辑委员会
- 期刊名称：《Ethnomusicology Forum》 | 2010年第2期
5.Laurence Picken: A Centenary Celebration

机译：劳伦斯·皮肯（Laurence Picken）：百年庆典
- 作者：Richard Widdess
- 期刊名称：《Ethnomusicology Forum》 | 2010年第2期
6.Editorial

机译：社论
- 作者：Andrew Killick;Laudan Nooshin
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
7.Nature and Nation: National Identity and Environmentalism in Icelandic Popular Music Video and Music Documentary

机译：自然与民族：冰岛流行音乐录像带和音乐纪录片中的民族认同与环保主义
- 作者：Nicola Dibben - Nicola Dibben is a Senior Lecturer in Music at the University of Sheffield. Her research into music mind and culture has been published in over 25 book chapters and journal articles and she is the author of two books: Bjrk (Equinox Press 2009) and Music and Mind in Everyday Life (Forthcoming Oxford University Press). She is also joint co-ordinating editor of the journal Popular Music.
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
- Nationalism;
- Nature;
- Popular Music;
- Iceland;
8.Tablas and Drum Machines: Afghan Music in California; Scenes of Afghan Music. London, Kabul, Hamburg, Dublin

机译：Tablas and Drum Machines：加州的阿富汗音乐；阿富汗音乐场面。伦敦，喀布尔，汉堡，都柏林
- 作者：Alexandra Balandina
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
9.Chinese Shadows: The Amazing World of Shadow Puppetry in Rural Northwest China

机译：中国的影子：西北农村的影子木偶的惊人世界
- 作者：Han Kuo-Huang
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
10.Sketches of Kerala

机译：喀拉拉邦的草图
- 作者：Rolf Killius
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
11.Mbaqanga, Bollywood and Beethoven on the Beachfront: A Composer's Perspective on Representation and Identity in the Film My Black Little Heart

机译：海滨上的姆巴卡（Mbaqanga），宝莱坞（Bollywood）和贝多芬（Bethoven）：作曲家对电影《我的黑色小心》中的表现和身份的看法
- 作者：Christopher Letcher - Christopher Letcher is a South African film music composer performer and songwriter currently living in London where he is completing a DMus on post-apartheid film music at the Royal College of Music
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
12.Interview with Shivkumar Sharma, Classical Santoor Player and Hindi Film Music Composer

机译：古典Santoor播放器和北印度电影音乐作曲家Shivkumar Sharma的访谈
- 作者：Anna Morcom - Anna Morcom works on a range of issues relating to contemporary music and dance culture in India and Tibet including film media modernity nationalism globalisation and economic development/marginalisation. She is the author of Hindi film songs and the cinema (Ashgate 2007). She is Research Council UK Academic Fellow in the Music Department at Royal Holloway College University of London
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
13.Singapore Takes the 'Bad' Rap: A State-Produced Music Video Goes 'Viral'

机译：新加坡遭遇“坏”说唱：国家制作的音乐录影带“病毒式”传播
- 作者：Shzr Ee Tan - Shzr Ee Tan is a British Academy postdoctoral fellow in the Music Department at Royal Holloway (University of London) researching new media cultures of the Chinese diaspora. She completed her PhD in Amis Aboriginal song of Taiwan at the School of Oriental and African Studies
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
- Rap;
- Music Videos;
- Singapore;
- The State;
- Propaganda;
- Internet;
- New Media;
- Kitsch;
14.Interview with Canadian-Armenian Filmmaker Atom Egoyan

机译：加拿大-亚美尼亚电影制片人Atom Egoyan访谈
- 作者：Miguel Mera - Miguel Mera is widely published in music and moving image studies from music in historical drama to the use of popular songs in contemporary cinema. His publications include European film music (Ashgate 2006) and Mychael Dannas The Ice Storm: A film score guide (Scarecrow 2007). He is a Principal Lecturer in Music at Anglia Ruskin University. Miguel also composes for film and television and his work has been screened and broadcast throughout the world
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
15.Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches

机译：简介：筛选音乐，跨情境化和民族音乐学方法
- 作者：Miguel Mera - Miguel Mera is widely published in music and moving image studies from music in historical drama to the use of popular songs in contemporary cinema. His publications include European film music (Ashgate 2006) and Mychael Dannas The Ice Storm: A film score guide (Scarecrow 2007). He is a Principal Lecturer in Music at Anglia Ruskin University. Miguel also composes music for film and television and his work has been screened and broadcast throughout the world;Anna Morcom - Anna Morcom works on a range of issues relating to contemporary music and dance culture in India and Tibet including film media modernity nationalism globalisation and economic development/marginalisation. She is the author of Hindi Film Songs and the Cinema (Ashgate 2007). She is Research Council UK Academic Fellow in the Music Department at Royal Holloway College University of London
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
16.Behind the Curtain: Making Music in Mumbai's Film Studios

机译：幕后：孟买电影制片厂的音乐创作
- 作者：Bradley Shope
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
17.From Pac-Man to Pop Music: Interactive Audio in Games and New Media

机译：从吃豆人到流行音乐：游戏和新媒体中的互动音频
- 作者：Jochen Eisentraut
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
18.Music, Sound and Multimedia: From the Live to the Virtual

机译：音乐，声音和多媒体：从现场到虚拟
- 作者：Martin Stokes
- 期刊名称：《Ethnomusicology Forum》 | 2009年第1期
19.In Touch with the Earth? Musical Instruments, Gender and Fertility in the Bolivian Andes

机译：与地球接触？玻利维亚安第斯山脉的乐器，性别与生育力
- 作者：Henry Stobart - Henry Stobart is Senior Lecturer at Royal Holloway University of London. He is the author of Music and the Poetics of Production in the Bolivian Andes (Ashgate 2006) and editor of The New (Ethno)musicologies (Scarecrow 2008). As a performer he has recorded and toured widely with the early music ensemble Sirinu and leads a student-based Andean performance group. His current research focuses on indigenous cultural politics digital media and music piracy in Bolivia explored through a biographical approach to the recording artist and indigenous activist Gregorio Mamani
- 期刊名称：《Ethnomusicology Forum》 | 2008年第1期
- Andes;
- Bolivia;
- Fertility;
- Seasons;
- Pinkillu Duct Flutes;
- Julajula Panpipes;
- Charango;
- Division of Labour;
- Androgyny;
- Wind;
- Water;
- Earth;
- Interlocking Instruments;
- Courtship;
- Marked and Unmarked Gender;
20.Editorial

机译：社论
- 作者：Andrew Killick;Laudan Nooshin
- 期刊名称：《Ethnomusicology Forum》 | 2008年第1期
21.'This Drum I Play': Women and Square Frame Drums in Portugal and Spain

机译：“我演奏的这张鼓”：葡萄牙和西班牙的妇女和方鼓
- 作者：Judith R. Cohen - Judith R. Cohen is Contract and Adjunct Graduate Faculty at York University Toronto and General Editor of the Spain series ofthe Alan Lomax Recordings. Her PhD inEthnomusicology on Sephardic music and her Masters degree in Medieval Studies were both completed at the Universit de Montral. She carries out ongoingresearch and fieldwork in Spain and Portugal and frequently performs and gives workshops on Sephardic and related music. Her current interests also includeCrypto-Jewish traditions in Portugal constructed medieval Three Cultures identities in Spain and Sephardic music in the Balkans and Turkey
- 期刊名称：《Ethnomusicology Forum》 | 2008年第1期
- Adufe;
- Frame Drums;
- Women;
- Spain;
- Portugal;
- Revival;
- Transmission;
- Gender Roles;
- Ritual;
- Tradition;
- Innovation;
22.Reviews

机译：评论
- 期刊名称：《Ethnomusicology Forum》 | 2008年第1期
23.Reviews

机译：评论
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
24.Obituary: Laurence Picken

机译：itu告：劳伦斯·皮肯（Laurence Picken）
- 作者：Richard Widdess
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
25.Editorial

机译：社论
- 作者：Andrew Killick;Laudan Nooshin
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
26.Music, Mixing and Modernity in Rio de Janeiro

机译：里约热内卢的音乐，融合与现代性
- 作者：Frederick Moehn - Frederick Moehn is Assistant Professor of Music at Stony Brook University. His research interests include music of Latin America and the Caribbean as well as jazz cultures. In his work he focuses on questions of race gender class and national identity in relation to music technologies and production aesthetics citizenship civil society social movements and new media and intellectual property. For the academic year 2008-9 he is a Howard Foundation Fellow (Brown University) and a Visiting Scholar at the Center for the Study of Ethnicity and Race at Columbia University. He is writing a book for Duke University Press provisionally entitled Music and globalization in postdictatorship Brazil
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
- Modernity;
- Popular Music;
- Brazil;
- Hybridity;
- Mixture;
- Middle class;
- Fernanda Abreu;
- Samba;
- Funk;
27.Truth, Talk and History in the Non-Nation: Gwo Ka's Place on Marie-Galante, French Antilles

机译：非民族的真相，谈话和历史：郭卡在法国安的列斯群岛的玛丽·加兰特上的位置
- 作者：Ron Emoff - Ron Emoff is Associate Professor in the School of Music and the Department of Anthropology at Ohio State University. In addition to fieldwork on Marie-Galante he has performed ethnographic research in Madagascar and Southwest Louisiana (among Cajuns). His previous works include Recollecting from the past: Musical practice and spirit possession on the east coast of Madagascar(Wesleyan University Press Music and Culture Series) Mementos artifacts and hallucinations from the ethnographers tent(Routledge Press co-edited with David Henderson) as well as numerous journal articles. His new book Music and the performance of identity on Marie- Galante French Antilleswill be published by Ashgate Press SOAS Musicology Series. He is currently working on a documentary film on musical expression and postcolonial emblems in Madagascar
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
- Marie-Galante;
- French Antilles;
- Gwo Ka;
- Narrative Analysis;
- Remembering;
- Nationalism;
- Performance;
28.Reading Music/Playing Music: The Musical Notations of the Kyoto Gion Festival and the Noh Flute

机译：阅读音乐/播放音乐：京都G园节和能乐长笛的音符
- 作者：Kawori Iguchi - Kawori Iguchi is a part-time lecturer at the Kyoto University of Art and Design. She is currently involved in a project which examines the formation of the literary genre of geidan (artistic discussion) by noh practitioners in late nineteenth- to early twentieth-century Japan
- 期刊名称：《Ethnomusicology Forum》 | 2008年第2期
- Musical Notation;
- Reader;
- Anthropology of Reading;
- Learning;
- Japan;
- Kyoto Gion Festival;
- Noh;
- Nohkan;

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