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Ethos of Conflict, Culture of Conflict, and Films About Conflicts: The Gap Between Theory and Fictional Reality

机译:冲突的精神,冲突的文化以及有关冲突的电影:理论与虚构现实之间的鸿沟

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摘要

The article compares the definitions and components of an ethos of conflict to one case study of cultural texts produced in a society in an intractable conflict: Israeli films produced in the last 3 decades that deal with the Israeli-Lebanon conflict. These films criticize the national narrative and at the same time preserve and support it further. The findings show that an ethos of conflict can be retained even when the in-group manifests self-criticism, does not full-heartedly embrace and justify its own goals, does not de-legitimize or show negative attributions to the opponent, and is ambivalent on topics of patriotism and victimization. Because of the findings, it is claimed that an ethos of conflict-as it is produced and manifested in cultural texts-can exist without the majority of its components; therefore, its current definitions should be revised.
机译:这篇文章将冲突精神的定义和组成部分与一个在一个棘手的冲突中的一个社会中生产的文化文本进行的案例研究进行了比较:过去三十年来制作的处理以色列-黎巴嫩冲突的以色列电影。这些电影批评了民族叙事,同时又进一步保留和支持它。研究结果表明,即使小组成员表现出自我批评,不全心全意地拥护和证明自己的目标,不贬低合法性或对对手表现出消极的归因,并且矛盾重重,仍然可以保持冲突的精神。关于爱国主义和受害的话题。由于这些发现,人们声称,在文化文本中产生和表现出来的冲突精神可能不存在其大部分内容;因此,应修改其当前定义。

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