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FACING THE MUSIC

机译:面对音乐

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摘要

Afew days before she was scheduled to start serving her prison sentence, Kimberly Jones —you know her as Lil' Kim-was ensconced on a plush sofa in a dimly lit recording studio in Manhattan's Hell's Kitchen. Her mind was somewhere else. As the friends and associates around her laughed and chattered about Michael Vick's speed on the football field and shopping on eBay, the Queen Bee, as they call her, sat silently, apparently in a world of her own—until one friend announced he was leaving to get a bite to eat, and she snapped back into focus. Where was he going? When would he be back? For the rapper known for her bold and raunchy lyrics (and a fashion sense to match), it was a revealingly vulnerable moment. Time was running out on her—were all her friends running out, too?
机译:在她计划开始向监狱判决开始之前,金伯利琼斯在曼哈顿的地狱厨房的典型录音室中,kimberly jones知道她是Lil'kim-in-lil'kim。她的思想是其他地方。作为朋友和伴侣在她周围笑着笑着迈克尔维克的速度,在ebay上的eBay上购物,女王蜜蜂,因为他们称她,默默地坐着,显然在一个自己的世界 - 直到一位朋友宣布他要离开要吃一口吃,她又拍了焦点。他去哪儿了?他什么时候回来?对于以她的大胆和rauny的歌词而闻名的说唱歌手(以及匹配的时尚感),这是一个透露的脆弱的时刻。她的时间已经跑了出来 - 这是她的所有朋友也耗尽了吗?

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  • 来源
    《Newsweek》 |2005年第13期|p.56-58|共3页
  • 作者

    ALLISON SAMUELS;

  • 作者单位
  • 收录信息 美国《化学文摘》(CA);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 政治理论;
  • 关键词

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