首页> 外文期刊>International Journal of Science and Mathematics Education >AN ACTOR-ORIENTED TRANSFER PERSPECTIVE ON HIGH SCHOOL STUDENTS’ DEVELOPMENT OF THE USE OF PROCEDURES TO SOLVE PROBLEMS ON RATE OF CHANGE
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AN ACTOR-ORIENTED TRANSFER PERSPECTIVE ON HIGH SCHOOL STUDENTS’ DEVELOPMENT OF THE USE OF PROCEDURES TO SOLVE PROBLEMS ON RATE OF CHANGE

机译:以角色为导向的转移视角,针对高中生使用程序来解决变化率问题的发展

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This article reports on a longitudinal observation study about students’ development in their use of procedures to calculate instantaneous rate of change. Different procedures for solving tasks on rate of change are taught in mathematics and physics classes, and together they form a repertoire. Our study took an actor-oriented perspective, which we operationalized as a search for students’ personal constructions of relationships between (1) learning from mathematics and physics classes and (2) interview tasks. We followed 10 students for 2 years (from grade 10 to 12), during which we administered 4 task-based interviews. We analyzed the breadth and connectedness of students’ repertoire of procedures and report on the long-term development thereof. We conclude that often procedures are not part of students’ repertoire shortly after the first introduction of this procedure in class. Students need time to acquire single procedures, and much more time to develop a broad and connected repertoire. In the development of their repertoire, there are major differences between students. From an actor-oriented perspective, many personal constructions are visible between learning and interview tasks. Students often use procedures that differ from procedures that are most appropriate from an expert’s perspective. We also observed from an actor-oriented perspective that words such as velocity, steepness, or slope act as bridge for creating relationships between situations and procedures.
机译:本文报道了一项纵向观察研究,该研究关于学生使用程序计算瞬时变化率的发展。在数学和物理课程中讲授了解决变化率任务的不同程序,它们共同构成了一个库。我们的研究采用以演员为中心的观点,并将其付诸实践,以寻求学生对(1)从数学和物理班学习以及(2)面试任务之间的关系的个人建构。我们追踪了10名学生2年(从10年级到12年级),在此期间我们进行了4次基于任务的访谈。我们分析了学生程序程序的广度和联系性,并报告了程序的长期发展。我们得出的结论是,在课堂上首次引入此程序后不久,这些程序通常就不属于学生的全部曲目。学生需要时间来获得单一程序,并且需要更多时间来开发广泛且相互联系的曲目。在曲目制作方面,学生之间存在重大差异。从面向演员的角度来看,学习和访谈任务之间可以看到许多个人构想。学生通常使用的程序与从专家的角度来看最合适的程序不同。我们还从面向演员的角度观察到,诸如速度,陡度或坡度之类的词充当了在情境与程序之间建立联系的桥梁。

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