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ART AS ALTERITY IN EDUCATION

机译:艺术作为教育的替代

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摘要

In education, art has often been perceived as entertainment and decoration and is the first subject to go when there are budget cuts or test-score pressures. Drawing on Emmanuel Levinas's idea of the primacy of radical alterity that breaks the totality of our being, enables self-transformation and ethics, and ensures community as a totality of singularities, and on Maurice Blanchot's expansion of radical alterity to art, Guoping Zhao argues that the role of art in education must be reconsidered and greatly expanded. Art as alterity takes students beyond where they are and what they have, and teaches them to appreciate and respect difference and diversity. If art as alterity is so essential to human subjectivity and society, and if education is conceived as a process of human growth and formation, art as alterity is essential to education and needs to be more seriously engaged and more fully integrated into the whole educational process instead of being isolated in arts education. Zhao concludes the essay by pondering the pedagogical implications of such a reconsideration of art as alterity in education.
机译:在教育领域,艺术通常被认为是娱乐和装饰,是在预算削减或考试成绩压力下的第一门艺术。赵国平认为,借鉴伊曼纽尔·列维纳斯(Emmanuel Levinas)的彻底改变至上的思想,这种思想破坏了我们的整体,实现了自我改造和道德操守,并确保了社区的整体单一性,并利用莫里斯·布兰科特(Maurice Blanchot)将彻底改变扩展到艺术上。必须重新考虑并极大地扩大艺术在教育中的作用。作为改变的艺术使学生超越了他们所处的位置和所拥有的东西,并教会他们欣赏和尊重差异和多样性。如果说艺术作为改变对于人类的主体性和社会至关重要,并且如果将教育视为人类成长和形成的过程,那么作为改变的艺术对于教育来说是必不可少的,需要更加认真地参与并更全面地融入整个教育过程而不是被孤立在艺术教育中。在总结这篇论文时,他考虑了对艺术的重新思考(如教育的变化)的教学意义。

著录项

  • 来源
    《Educational Theory》 |2014年第3期|245-259|共15页
  • 作者

    Guoping Zhao;

  • 作者单位

    College of Education Oklahoma State University;

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  • 原文格式 PDF
  • 正文语种 eng
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