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Poetry as Spiritual Interpretation of Islamic Architecture & Ancient Egyptians Temples

机译:诗歌作为伊斯兰建筑和古埃及神庙的精神诠释

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In 1251i.e. before the Mathnavi was begun Mevlana's friend, the minister Jalaluddin Qaratay, founded the Qaratay madrasa, a small edifice which, in – Anne Marie Schemmile opinion, better reflects the character of the Mathnavi than any rational explanation could do. Erzen has proved that aesthetic consciousness at the ottoman culture and artistic product of art & architecture, miniature, painting, literature and music is a traditional product rather as a creation of art. (ERZEN, 1991) Jalāl ad-Dīn Muhammad Rūmī also known as Mevlana, Mevlev? (1207-1273) has often tried to solve the riddle of the relation between words and meaning, of experience and expression, in several ways returns to the feeling that words are merely dust on the mirror of “experience’, dust brought forth from the movement of the broom “tongue’, and the true meaning, the “soul of the story’.
机译:在1251年在开始Mathnavi之前,Mevlana的朋友Jalaluddin Qaratay部长建立了Qaratay madrasa,这是一座小型大厦,在Anne Marie Schemmile的意见中,比任何理性的解释都可以更好地反映Mathnavi的特征。 Erzen证明,在奥斯曼文化和艺术与建筑,缩影,绘画,文学和音乐的艺术产物中的审美意识是传统产物,而不是艺术创造。 (ERZEN,1991年)贾拉·阿登·穆罕默德·鲁米(Jalālad-DīnMuhammadRūmī)也被称为梅夫拉纳(Mevlana),梅夫列夫(Mevlev)吗? (1207-1273)经常试图解决单词与意义,经验和表达之间的关系之谜,以几种方式返回到一种感觉,即单词只是“经验”的镜子上的尘土,即来自“经验”的尘土。扫帚“舌头”的动作,真正的意思是“故事的灵魂”。

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