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Silent reading of music and texts; eye movements and integrative reading mechanisms

机译:默读音乐和文字;眼球运动和综合阅读机制

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This study investigates to what extent structural units defined by physical and structural markers elicit different eye movement patterns when reading contrasting stimuli of music and verbal texts. Eye movements were tracked and compared in ten musicians undergoing Bachelor’s degrees as they silently read six texts and six pieces of music for piano: the music was contemporary, in modal style, and the style of the texts was informative and literary. Participants were music students at Universidad de Chile studying for Bachelor’s degrees. Information integration for both local (intrasentence/phrase) and global (intersentence/phrase) levels of processing was assessed through regressive fixations at the first pass and re-reading stages.?Memory involvement in musical and verbal processing was investigated using verbal working memory and spatial memory tasks, suggesting a link between spatial memory and the reading of contemporary music. Both local and global integrative controls vary according to the reading stages, with differences between music styles and text types. These differences relate to?information intake and integrative reading mechanisms. Despite the fact that musicians used different strategies for processing verbal and musical information,?no cross-patterns of individual reading strategies were observed between conditions. Although the underlying processes are different, resource-sharing between the two domains cannot be ruled out.
机译:这项研究调查了在阅读音乐和语言文字的对比刺激时,由物理和结构标记定义的结构单元在多大程度上引起了不同的眼睛运动模式。跟踪并比较了十位获得学士学位的音乐家的眼球运动,因为他们静静地阅读了六篇课文和六首钢琴演奏的音乐:音乐是现代的,模态风格的,并且课文的风格是丰富而文学的。参加者为智利大学音乐系学生,攻读学士学位。在第一遍和重读阶段,通过回归注视来评估本地(语用/短语)和整体(语用/短语)处理水平的信息整合。使用口头工作记忆和空间记忆任务,暗示了空间记忆与当代音乐阅读之间的联系。本地和全局集成控件根据阅读阶段的不同而有所不同,音乐风格和文本类型也有所不同。这些差异与信息摄入和综合阅读机制有关。尽管音乐家使用不同的策略来处理口头和音乐信息,但在条件之间没有观察到个人阅读策略的交叉模式。尽管基本过程不同,但是不能排除两个域之间的资源共享。

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