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Eliante in Sardinia: problematic contextualisation

机译:撒丁岛的Eliante:问题化的情境化

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Abstract The paper deals with the complex relationship between tradition and modernity inspired by a fundamental essay by Cesare Brandi, Eliante or On architecture? The dialectic between tradition, supported in the Italian art-history panorama at the end of the Sixties by Brandi, and modernity, which found a convinced supporter in Giulio Carlo Argan, was a way of comparing tradition conceived as a cultural mix of various layers but within the same “horizon of meaning”, and modernity, the emblem of functional art organically immersed in the dynamics of everyday life. In this perspective the article inquires into the issue of tradition-modernity in the landscape of Sardinia to understand if and to what extent tradition may be considered capable of condensing around it the deep connotations of Sardinian culture.
机译:摘要本文探讨了传统与现代之间的复杂关系,其灵感来自于塞萨尔·布兰迪(Cesare Brandi),《伊利安特》(Eliante)或《建筑》上的一篇基本论文。布兰迪(Brandi)在六十年代末意大利艺术史全景中支持的传统与现代性之间的辩证法,是在朱利奥·卡洛·阿根(Giulio Carlo Argan)中找到了坚信的支持者,这是比较传统的一种方法,认为传统被认为是不同层次的文化融合,但是在相同的“意义地平线”和现代性中,功能艺术的象征有机地融入了日常生活的动力中。从这个角度出发,本文探讨了撒丁岛景观中的传统-现代性问题,以了解是否可以认为以及在何种程度上可以使传统凝聚出撒丁岛文化的深刻内涵。

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