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Analysis on the evolution of the discourse on computer software and programming languages in the light of literary genres and POWER-KNOWLEDGE

机译:从文学体裁和POWER-KNOWLEDGE角度分析计算机软件和编程语言的论述发展

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摘要

Although much analyses have been performed on the collaborative nature of software development in papers (Bardram, 1997; Bardram, 1998a, 1998b; Barthelmess & Anderson, 2002) with some of them in the perspective of Vygotsky's Activity theory, less focus has been given on the discursive evolution of software as different 'Genres'. In this article we will investigate discursive formation of software and the programming languages in course of time driven by increased 'Activities', 'Dialogue' and 'Power' exercised by certain user groups and entities which will complement our efforts with Activity theory and Fou-caultdian POWER-KNOWLEDGE. We will show that POWER relation is affecting user preferences, choices and activities, which are producing changes in the programming languages and creating new software genres. We have borrowed the term 'Genre' from the literary studies of Bakhtin and applying it for software. The way different coexisting social classes in a specific time in history leave their fingerprints in different speech and text-genres, we claim that similar mechanisms exist in the software world. We will show that a modern software system is developing improved 'Dialogism' or'Intertextuality', 'Chronotope' 'Heteroglossia' and forming its own discourse. Our presentation is heavily dependent on Mikhail Bakh-tin's concept of literary genres and Foucaultdian concept of POWER-KNOWLEDGE.
机译:尽管在论文中已经对软件开发的协作性质进行了很多分析(Bardram,1997; Bardram,1998a,1998b; Barthelmess&Anderson,2002),但其中有一些是从维果茨基的活动理论的角度出发的,但很少关注作为不同“流派”的软件的话语演变。在本文中,我们将研究由某些用户群体和实体增加的“活动”,“对话”和“权力”驱动的软件和编程语言随时间变化的话语形成,这些活动将补充我们的活动理论和功能。专家级的POWER-KNOWLEDGE。我们将证明,POWER关系正在影响用户的偏好,选择和活动,从而改变了编程语言并创造了新的软件类型。我们从巴赫金的文学研究中借用了“流派”一词,并将其应用于软件。历史上特定时间不同共存的社会阶层在不同的语音和文本流派中留下指纹的方式,我们声称在软件世界中存在类似的机制。我们将证明,现代软件系统正在开发改进的“对话主义”或“互文性”,“编年史”,“杂种现象”并形成自己的论述。我们的演讲在很大程度上取决于米哈伊尔·巴赫丁(Mikhail Bakh-tin)的文学体裁概念和福柯式的“权力知识”概念。

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