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Palin/Pathos/Peter Griffin: Political Video Remix and Composition Pedagogy

机译:佩林/帕索斯/彼得·格里芬:政治录像带混音和作文教学法

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摘要

Political video remix has emerged as an important form of civic action, especially during the recent 2008 election season. Seeking to explore the ways in which political video remix can be integrated into rhetorically-based writing classes, we present three qualitative case studies of students' composing of video remixes in a fall 2008 course on "Political Rhetoric and New Media." Drawing on interview data and analyses of student work, we argue that political video remix assignments can potentially 1) enable students to compose activist texts for wide public audiences, 2) heighten students' understanding and application of key rhetorical concepts, 3) offer an opportunity for students and teachers to explore the delivery and circulation of digital texts, 4) highlight the important roles that parody and popular culture references can play in activist rhetoric, and 5) encourage students and teachers to question the conventional privileging of "originality" in composition classrooms. We also analyze how students' composing of remixes is influenced by the activist, technological, and popular culture literacies they bring to the classroom.
机译:政治视频混音已成为公民行动的一种重要形式,尤其是在最近的2008年选举季节期间。为了探索将政治视频混音融入基于修辞学的写作班的方法,我们在2008年秋季开设的“政治修辞与新媒体”课程中,对学生进行视频混音的定性研究进行了三个定性研究。利用访谈数据和对学生作品的分析,我们认为政治视频混音作业有可能1)使学生能够为广大公众撰写激进主义者的文字; 2)增强学生对关键修辞概念的理解和运用; 3)提供机会让学生和教师探索数字文本的传递和流通,4)强调模仿和流行文化参照物在激进主义者的言辞中所起的重要作用,以及5)鼓励学生和教师质疑传统的“原创性”构词特权教室。我们还分析了学生带到课堂上的混音作品如何受到激进主义者,技术和大众文化素养的影响。

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