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Pedagogies of Digital Composing through a Translingual Approach

机译:通过特性方法的数字组成的教学

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This article provides pedagogical frameworks for teaching digital composing through a translingual orientation. Recognizing the need for concrete pedagogical ideas that integrate a translingual approach with digital composing, the authors offer two pedagogical models (a Cultural Historical Activity Theory (CHAT)-based model and a translingual remix model) to illustrate how instructors can navigate a wide range of institutional contexts to teach digital translingual pedagogies with linguistically and ethnically diverse students. The approaches to translingual practices and digital literacies presented in this article reflect the distinct orientations of four writing teacher-scholars enacting these pedagogies at different institutions. Using strategic contemplation (Royster & Kirsch, 2012), the authors invite teachers in other contexts to explore dynamic pedagogical approaches and their possibilities for supporting students' practices. Instead of calling for new theories of digital composing, the authors highlight the complex negotiation processes that writing instructors often need to negotiate in order to integrate pedagogical and theoretical principles that create inclusive writing spaces.
机译:本文为通过特性定位提供了用于教学编写的教学框架。作者提供了与数字组成的特性方法集成了混凝土教学理念,提供了两个教学模型(文化历史活动理论(聊天)的模型和转换混音模型),以说明教师如何导航各种各样的型号制度背景教导数码特性教学与​​语言和革新的学生。本文中提出的三菱实践和数字文学方法反映了四位写作教师学者在不同机构制定这些教学的忠诚教学中的不同取向。使用战略沉思(Royster&Kirsch,2012),作者邀请教师在其他背景下探索动态教学方法及其支持学生实践的可能性。作者突出了编写教师经常需要谈判的复杂谈判流程,而不是呼唤数字化作曲的新理论,以整合创建包容性写作空间的教学和理论原则。

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