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Affective Analysis of Professional and Amateur Abstract Paintings Using Statistical Analysis and Art Theory

机译:利用统计分析和艺术理论对专业和业余抽象绘画的情感分析

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When artists express their feelings through the artworks they create, it is believed that the resulting works transform into objects with "emotions" capable of conveying the artists' mood to the audience. There is little to no dispute about this belief: Regardless of the artwork, genre, time, and origin of creation, people from different backgrounds are able to read the emotional messages. This holds true even for the most abstract paintings. Could this idea be applied to machines as well? Can machines learn what makes a work of art "emotional"? In this work, we employ a state-of-the-art recognition system to learn which statistical patterns are associated with positive and negative emotions on two different datasets that comprise professional and amateur abstract artworks. Moreover, we analyze and compare two different annotation methods in order to establish the ground truth of positive and negative emotions in abstract art. Additionally, we use computer vision techniques to quantify which parts of a painting evoke positive and negative emotions. We also demonstrate how the quantification of evidence for positive and negative emotions can be used to predict which parts of a painting people prefer to focus on. This method opens new opportunities of research on why a specific painting is perceived as emotional at global and local scales.
机译:当艺术家通过创作的作品表达自己的感受时,人们相信所产生的作品将变成具有“情感”的物体,能够将艺术家的情绪传达给观众。关于这一信念,几乎没有争议:无论艺术品,流派,时间和创作来源如何,来自不同背景的人都能够阅读情感信息。即使对于最抽象的绘画,也是如此。这个想法也可以应用于机器吗?机器可以学习使艺术品成为“情感”的东西吗?在这项工作中,我们采用了最先进的识别系统,以了解在由专业和业余抽象艺术品组成的两个不同数据集上,哪些统计模式与正面和负面情绪相关联。此外,我们分析和比较了两种不同的注释方法,以建立抽象艺术中正面和负面情绪的真实基础。此外,我们使用计算机视觉技术来量化绘画的哪些部分引起正面和负面情绪。我们还演示了如何将正面和负面情绪的证据量化用于预测人们偏爱的绘画部分。这种方法为研究为什么特定的绘画在全球和地方范围内被视为情感开辟了新的研究机会。

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