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Is Visual Creativity Embodied? Thinking Aloud While Performing the Creative Mental Synthesis Task

机译:视觉创造力是否体现?在执行创造性心理综合任务时大声思考

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摘要

Over time, the view that creativity is embodied has emerged. In order to explore if visual creativity is supported by embodied mechanisms, the simulation approach was used as a framework of reference. The idea that visual creativity relies on mental representations that implement motor processes was faced. Participants were instructed to think aloud while carrying out the Creative Mental Synthesis Task, which allows to form pre-inventive structures and interpret them according to a specific category. Two independent judges scored verbal protocols in terms of the number of motor, spatial, and visual thoughts reported during the pre-inventive and inventive phases, and also evaluated the final objects according to originality and appropriateness. Originality was predicted positively by inventive motor thoughts and by pre-inventive spatial thoughts, but negatively by inventive spatial thoughts; appropriateness was only predicted by inventive visual thoughts. These results suggest that actions for future object utilization were simulated while interpreting pre-inventive structures, increasing originality of objects. In addition, spatial transformations are useful to construct the pre-inventive structures, but not to interpret them. Yet, thinking of the pictorial details of the object is also essential to classify it in a given category. Limitations and future research directions are discussed.
机译:随着时间的推移,已经出现了创造性的观点。为了探索通过体现机制支持视觉创造性,将模拟方法用作参考框架。视觉创造力依赖于实施电机过程的心理表现的想法。参与者被指示大声思考,同时执行创造性的心理综合任务,这允许根据具体类别形成本发明的全部结构并解释它们。两项独立法官就在本发明的阶段和创造性阶段报告的电动机,空间和视觉思想的数量方面评分了口头协议,并且还根据原创性和适当性评估最终物体。创意通过创造性的电动机思想以及通过预先发明的空间思想来预测原创性,但通过创造性的空间思想消极;适当性仅通过创造性的视觉思想预测。这些结果表明,在解释了本发明的结构的同时模拟了未来对象利用的动作,增加了物体的原创性。此外,空间变换可用于构建本发明的预期结构,但不能解释它们。然而,思考对象的图表细节对于将其对给定类别对其进行思考也是必不可少的。讨论了局限性和未来的研究方向。

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