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Music Proficiency and Quantification of Absolute Pitch: A Large-Scale Study among Brazilian Musicians

机译:音乐熟练程度和绝对音高量化:巴西音乐家的大规模研究

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摘要

Absolute pitch (AP) is the ability to identify and name the pitch of a sound without external reference. Often, accuracy and speed at naming isolated musical pitches are correlated with demographic, biological, and acoustical parameters to gain insight into the genesis and evolution of this ability in specific cohorts. However, the majority of those studies were conducted in North America, Europe, or Asia. To fill this gap, here we investigated the pitch-naming performance in a large population of Brazilian conservatory musicians (N = 200). As previously shown, we found that the population performance was rather a continuum than an “all-or-none” ability. By comparing the observed distribution of correct responses to a theoretical binomial distribution, we estimated the prevalence of AP as being 18% amongst regular music students. High accuracy thresholds (e.g., 85% of correct responses) yielded a prevalence of 4%, suggesting that AP might have been underestimated in previous reports. Irrespective of the threshold used, AP prevalence was higher in musicians who started their musical practice and formal musical education early in life. Finally, we compared the performance of those music students (average proficiency group) with another group of students selected to take part in the conservatory orchestra (high proficiency group, N = 30). Interestingly, the prevalence of AP was higher in the latter in comparison to the former group. In addition, even when the response was incorrect, the mean absolute deviation from the correct response was smaller in the high proficiency group compared to the average proficiency group (Glass's Δ: 0.5). Taken together, our results show that the prevalence of AP in Brazilian students is similar to other non-tonal language populations, although this measure is highly dependent on the scoring threshold used. Despite corroborating that early involvement with musical practice and formal education can foster AP ability, the present data suggest that music proficiency may also play an important role in AP expression.
机译:绝对音高(AP)是无需外部参考即可识别和命名声音音高的功能。通常,命名孤立音高的准确性和速度会与人口统计,生物学和声学参数相关联,以深入了解特定人群中该能力的起源和演变。但是,这些研究大多数是在北美,欧洲或亚洲进行的。为了填补这一空白,在这里,我们调查了巴西大量音乐人(N = 200)的音高命名性能。如前所示,我们发现总体表现是一个连续的过程,而不是“全有或全无”的能力。通过比较观察到的正确响应与理论二项分布的分布,我们估计普通音乐学生中AP的患病率为18%。较高的准确度阈值(例如正确响应的85%)产生的患病率为4%,这表明AP在以前的报告中可能被低估了。不管使用哪种阈值,在生命早期就开始进行音乐练习和正规音乐教育的音乐家中,AP患病率较高。最后,我们比较了那些音乐学生(普通水平组)和另一组被选择参加音乐学院乐团的学生(高水平组,N = 30)的表现。有趣的是,与前一组相比,后者的AP患病率更高。此外,即使回答不正确,高熟练组的平均绝对偏差也要比平均熟练组的正确响应小(GlassΔ:0.5)。两者合计,我们的结果表明,巴西学生中AP的患病率与其他非调性语言人群相似,尽管该衡量标准高度取决于所使用的评分阈值。尽管证实了早期参与音乐实践和正规教育可以提高AP能力,但目前的数据表明,音乐熟练程度也可能在AP表达中起重要作用。

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