The author insists that postdramatic theatre is a highly productive and legitimate form of contemporary artistic expression,in tune with other aspects of cultural evolvement in the age of media.He points out certain misconceptions of the term and explains as one of the deeper motifs of postdramatic esthetics the wish to deepen the relation between audience and players.He adds some more general reflections:on the gradual disappearance of a certain "dramatic" view on man;on the difference between success of art with the audience and its impact of art on the future development of art.He gives examples of literary excellence in postdramatic writing.In the coda he argues for a less polemic style of debate given the fact that everybody interested in truly contemporary and innovative art practice finds himself in one and the same boat:defending the shrinking terrain of genuine esthetic experience.%本文作者认为,后戏剧是当代艺术一种极具创造性的合理表现形式,与媒体时代其它领域的文化艺术发展相呼应.他指出了人们对这个术语的某些错误看法,把密切演员与观众关系的愿望解释为后戏剧美学中一个深刻的母题.他还阐述对几个普遍问题的思考:关于人的某种“戏剧”观念的逐渐消失,艺术作品受观众欢迎的程度与其对未来艺术发展影响的区别.他举例阐述了后戏剧写作中优秀品质.最后,考虑到所有对当代艺术创新感兴趣的人们都在同一条船上,他提出一个较温和的观点:尽力去呵护那片逐渐缩小的真正美学经验的领地.
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