CEPA之后港产合拍片中的内地人形象分析

摘要

CEPA之后，港产合拍片中的内地人形象较之以往发生了很大变化，主要表现为以下两类：时尚与现代的都市“新移民”以及传统伦理价值观的守护者。某种程度上而言，这两种形象都是对内地人的美化和天使化，究其原因在于回归后港人国族认同意识的日益增强以及香港电影对广大内地市场的依赖与迎合。合拍片中内地人形象的凸显对于促进两地演技人才交流以及加强两岸同胞的文化认同起到了重要的作用，但同时也存在一些问题，值得我们关注和反思。%Abstract：Great changes in the image of Mainlanders have taken place in the co - productions of Hong Kong since CEPA, including these two types ： fashionable and modern ＇ New arrivals＇ and the guardians of traditional ethical values. To some extent, these two types of images are the beautification of the Mainlanders. One of the reasons for this change is the growing national identity of the Hong Kong people after the Handover in 1997 and another reason is the relying on and catering for the vast mainland market of Hong Kong films. The image of the Mainlanders is highlighted, playing a very important role in promoting personnel exchange between the two places and strengthening the cultural identity of the compatriots on both sides. But there are also some issues still worthy of our attention and reflection.