李何林的《近二十年中国文艺思潮论（1917-1937）》一书，为“中国现代文学”研究范式中马克思主义唯物史观脉络建构的历史节点之一。1930年代唯物史观社会史的输入和撰写潮流为文学史书写引入了眼光，《思潮论》以“阶级性”为主导，建构了文艺思潮和社会变动的双层互动结构，整合了文学史叙述。并以鲁迅和瞿秋白作为其叙述的支撑者。而对鲁迅的叙述，展示着这种文学史书写范式的可能和限界处。作为与所叙数次论争同时而异地的不在场史家，和源于生命体验的马克思主义信仰者，李何林的书写位置影响了其书写风格———跳出人事纷争，单纯以“言”证“言”；大胆评述，以理论统摄刚刚逝去的史事，做一颇具现代性的明了纯粹的结构。而《思潮论》自出版后几经浮沉，及其被承继的特性，折射着此类范式的历史命运和发展可能。%The Historical Materialism is an im portant paradigm for the study of C hinese m odern literature. The Discussion of Chinese Literary Ideological Trend of Thought (1917-1937) is one of the key nodes for the paradigm . As the Historical Materialism for social history brought in the new trend for the w riting of literature history in 1930s, Li Helin constructed a double layer interacting structure w ith literary ideological trend and social changing in this book, w hich dom inated by class nature. And Li chose Lu X un and Qu Qiubai as the supporters for his narrative, w hile the narrative of Lu X un dem onstrated the lim it in the paradigm . Li w as a historian as the observer, not a participant of the controversy, w hile he w as also a believer of the Marxism .So his position influenced his w riting style:he focused on the opinions and expressions,notthe personneldisputes;he m ade a clear m odernistic construction for the history just past by. This w ork experienced som e ups and dow ns, w hich reflects the historical destiny of the paradigm .
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