美在“芙蓉出水”与“错采镂金”之间--从文献考证到书论、诗论、词论的会通

摘要

作为两种审美理想的“芙蓉出水”与“错采镂金”，在旧题梁武帝《书评》中被戏剧性地并置一处，致使原有阐释产生困境。通过对书学文献的考证爬梳，发现《书评》原旨在于主张一种具有“舒蹙之势”的中和之美。古代书法美学之研究，须具备考证功夫、会通视野与同情了解的结合，才能建构起中国性、本土性的书法美学。%As two aesthetic ideal, hibiscus rising out of water and colourfully and dazzlingly embellished co-exist in Shu Ping by Emperor Wu, which cause the predicament of annotation. Shu Ping propose the beauty of neutralization described as Stretch and Crease.To research the ancient calligraphy aesthetics and con-struct local aesthetics system,we must combine textual criticism with interconnectedness and Sympathetic understanding.