日据时期以胶彩画为典型的台湾绘画“地方色彩”双重解读

摘要

Because of the characteristics of island and the sea-based cultural features, in addition to immigration as the main sense of the social structure ,the art style in Taiwan is diversity with changes of different regime and race. From1895 to1945,Taiwan was under Japanese rule,which is important for development of Taiwan＇s modern art. In 1927, the Taiwan Education Council wihch under the jurisdiction of the Taiwan Govermennt sponsored Taiwan Fine Art Exhibition,which was considered as era indicators for the development of Taiwan＇s modern art by the Taiwan art history scholars, especially the creative concept of ＂local color ＂which advocated in Taiwan Exhibition plays an important role in the development of oriental painting, and the development of Taiwan＇ s Couache paintings after World War II.%台湾因岛屿之特质与海口型文化的特征，加之以移民意识为主体的社会结构，其美术风格特点因不同种族与政权的更迭而呈现多元化特征。1895年日本占领台湾，这50年间是台湾近代美术发展的重要时期。其中，1927年由台湾总督府管辖下的教育会主办的台湾美术展览会（以下简称台展），尤其被台湾美术史学者们认为是台湾近代美术发展的时代指标。而台展中倡导的“地方色彩”创作概念，对日据时期东洋画发展起着重要作用，并影响着二战后台湾胶彩画吨方色彩的形成与发展。