This article studies the presentation of popular music monographs on both sides of the Taiwan Straits, and divides them into two types: the historical context and the topic. The former explores the overall development of pop music in mainland China or Taiwan, while the latter studies from different levels, such as material culture, sound culture, gender and communication, Spring Festival Gala, and rock and roll. In addition, through research on popular music monographs in foreign countries, the writer find out that the research on this topic and popular music archives, pop music, and media issues have not yet entered the field of study of domestic scholars. It is expected that this study can provide more ideas for the research of popular music in China.%本文通过对海峡两岸流行音乐专著呈现方式的研究,将其分为历史脉络式整理和议题式探讨两类.前者探讨了流行音乐在中国大陆或中国台湾的整体发展;后者则分别从物质文化、声响文化、性别及传播、春晚、摇滚等不同层面进行研究.此外,通过对国外流行音乐专著的关注发现此方面的研究及流行音乐档案馆、流行音乐与媒体等议题,仍未进入国内学者的研究视野.期望本研究能为国内流行音乐研究提供更多思路.
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