《赵氏孤儿》是一个值得研究的现象。如何理解“赵氏孤儿”现象,尤其是在上演的不同版本中,采用了不同的改编和解构策略,这种改编和解构又意味着什么?是更值得关注的问题。《赵氏孤儿》从历史到故事传说的演绎过程,从戏曲到话剧的改编过程,是一种母题的置换变形;《赵氏孤儿》表现的是复仇的神话母题,但是在话剧改编中消解了复仇的问题;《赵氏孤儿》的舞台空间,是一个不断仪式化的过程。%The Orphan of Zhao in Beijing People’s Art Theater version and National Theater version is a case worth researchers’attention.Firstly,The Orphan of Zhao in Beijing People’s Art Theater version and National Theater version is a historical play,which is a historical space in the sense of space.Secondly,The Orphan of Zhao is a revenge play,which contains the motif of revenge from the perspective of archetype.The Orphan of Zhao in Beijing People’s Art Theater version and National Theater version can also be seen as a symbolic play which is ritual in stage space.
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