浮木与残骸-生活在上海的老外诗人群体研究

摘要

The expatriate poets living in Shanghai constitute a weird group that is distant from their own mother language cultures and stay on the verge of heterogeneous civilizations. These globalized drifters bear their own cultural genes and enter into the genetically-modiifed Chinese culture, namely the Shanghai-style Culture. Their works present the confrontations between the ancient oriental civilization and the Western civilization. It seems that they merely record their personal life and feelings, which have nothing to do with Shanghai. However, their works record from an alternative perspective the changes of the history, of a city, and the vicissitudes of personal fates, which are the authentic fragments and epitome of a grand historical picture.%生活在上海的老外诗人是一个既远离母语文化又处于异质文明边缘的奇怪的群体，这些全球化的漂泊者，携带着各自的文化基因，来到经过基因改良的中华文明—海派文化—中。他们的作品中呈现的是古老东方文明和西方文明的对峙。他们仿佛只记录了个人生活、个人感情，似乎与上海无关，但他们的作品从另一个角度记录了一个时代的变迁、一座城市的变化、个人命运的沉浮。