现今诸多音乐分析方法的实现途径与手段大同小异，即先从文本入手，进行材料、结构上的分析（部分分析者到此为止），再将作品放到社会与历史的语境中进行观照。但事实上，音乐是一门关于听觉的艺术，听众的耳朵最终所感知到的是最重要的。因此，本文要探讨的是一种基于聆听的分析模式，即以听觉为主，以文本为辅，将聆听到的信息作为分析的主题，以此来重新构建作品在分析者内心的世界，并作出评判。当然，方法无优劣与好坏之分，而此种方法也仅仅是为音乐分析提供一种别样的途径。%Nowadays many approaches and methods to achieve musical analysis are similar,starting with the text, analyzing their materials and structure (some analysts end here),and then putting the work into the context of soci-ety and history. But in fact,music is an aural art,and most important thing is what the audiences' ears ultimately perceive. Therefore,this paper aims to explore an analytical model based on listening,which places hearing first and the text as a supplement,so as to re-build the inner world of analysts revolved around information that they hear,and make judgments. Of course,none of these methods is superior to any other,and the method proposed by this paper only provides a different way for musical analysis.
展开▼
