论古代戏曲导演理论“以人为本”的哲学理念

摘要

中国戏曲深受民族传统文化特别是哲学思想的影响。古代戏曲导演理论高度重视人的作用，把演员作为戏曲舞台的真正主宰。这种强调对舞台演出主体“人”的观念，有着深厚的传统文化渊源，符合“天人合一”的传统哲学思维模式及戏曲舞台艺术规律。%China′ s traditional and local operas have been greatly influenced by the nation′ s traditional culture and her philosophical thinking, in particular. The theory of directing concerning the above operas has attached great importance to the role of humans, i.e., has viewed the actors and actresses as the dominant on the stage of operas. The concept of attaching importance to the human factor— — the subjects of the stage performances, is featured by its profound traditional cultural origins and is in conformity with the thinking model of China′ s traditional philosophy — — the unity of heaven and man and the artistic law of the operatic stage.