首页> 中文期刊> 《沈阳工程学院学报(社会科学版)》 >李可染“融合中西”的绘画思想

李可染“融合中西”的绘画思想

         

摘要

Li Keran is the art master of developing traditional landscape painting.During his art career,he merges Chinese and western cultures,raising his opinion of creating new artistic conception of landscape painting by exploring the characteristics of natural beauty based on natural sketch and absorbing realistic factors of western painting organically.His painting idea and art experience widens the performance and intension of landscape painting.It contributes to the time style structure for the traditional landscape painting greatly.Most of the previous researchers regard that his early paintings focus on the changing of painting factor from the Chinese painting to the western painting.While when he becomes old,it is just on the contrary.But according to study of his painting and art idea,we can find that merging the Chinese and western culture is what he sticks on.And this point is just what the previous researchers ignore.From the view of culture development,western culture is becoming a part of our culture and historical experience and the author believes that it is the essential point of Chinese modern culture development.%李可染是推动传统山水画现代变革的艺术大家,在艺术实践中,他融合中西,提出了面向自然写生,发掘自然美的特质,有机吸纳西方绘画的写实因素,对传统山水画开拓创新,创造山水画新意境的绘画思想。他的绘画思想与艺术实践拓展了山水画的表现形式与精神内涵,为传统山水画的时代风格建构做出了重大贡献。通过考察李可染的绘画创作及理论思想,可以发现,"融合中西"一直是他坚守的内在思想理路。

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