从“底层”突围与“命运”共舞——对立叙事中的电影《Hello!树先生》《钢的琴》

摘要

《Hello!树先生》和《钢的琴》两部＂叫好不叫座＂中国小成本艺术电影又一次上演了＂爱比死更冷＂的悲喜剧。两部电影切近＂底层＂风格特异,揉正剧与喜剧、再现与表现为一体,充满＂二元对立＂的关系,共同演绎了现代化中国荒腔走板式的＂荒诞＂与＂疯狂＂。《Hello!树先生》和《钢的琴》相继出现无疑是对中国现有电影严重同质化的有力抵抗和反思。%Movies of"Hello! Sir Tree"and"Steel Piano",which are known as applauded nevertheless without profits,once again perform tragicomedies of "love is colder than death".These two movies have their common stylistic features as adhering to depict social bottom stratum: amalgamating classic with comedy,integrating reappearance with manifestation,all of which indicating the relationship of duality contradiction.The movies share the co-deduction of modern Chinese ridiculous "absurdism" as well as "madness".The appearance of "Hello! Sir Tree"and"Steel Piano"is without fail bold resistance to and rethinking of the severe homogenization trend of current Chinese movies.