首页> 中文期刊> 《青岛农业大学学报(社会科学版)》 >《庄子》中'畸人'的'中和'美学思想

《庄子》中'畸人'的'中和'美学思想

         

摘要

《庄子》作为庄子的代表作,以其夸张奇特的想象,超脱精微的思想,清拔恣肆的文辞,在中国的文学史和哲学史上占据着重要的位置.至今,人们主要是从西方审美形态的角度研究《庄子》中"畸人"的美学思想,较少运用中国古代的审美形态诠释《庄子》中的"畸人".本文运用中国古代的"中和"审美形态去论述"畸人",分析"畸人"的适度原则和天人合一的审美特征,总结"畸人"所传达的知止知足与和谐均衡的思想.%Zhuangzi is considered as the representative work of Zhuangzi, which occupies an important role in the literature history and philosophy of China for its peculiar imagination, exaggerated and subtle thoughts, clear and unconstrained language. People have mainly studied the aesthetic ideas of "Abnormality" in Zhuangzi from the perspective of western aesthetic forms till now, instead of the Chinese ancient aesthetic ideas to interpret the "abnormality". This paper selects the Chinese ancient aesthetic idea of "neutralization" to demonstrate the "abnormality" by analyzing the appropriate principles of the "abnormality" and the aesthetic characteristics of the harmony between man and nature to summarize the ideas of "abnormality" that convey the contentment and harmony.

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