首页> 中文期刊>西北大学学报(哲学社会科学版) >文化张力与现代中国美学理论建构的路径选择——宗白华美学的一种启示

文化张力与现代中国美学理论建构的路径选择——宗白华美学的一种启示

     

摘要

In the China-West relationship mode,the rediscovery or theoretical continuation of the source of the local thought requires that the effective pbloblem of the theoretical structure brought by the tradition-mod-ern culture division should be solved. Facing the China-West and tradition-modern cultural tension,Zong Baihua's aesthetic theory is based on long-time maintanance of the beauty spirit of the Chinese culture,and directs the theoretical structure of aesthetics to the actual direction of the transformation of life. The existence of the "West" has provided a modern perspective for the stimulation of China's resources in terms of aesthet-ics,and it also has provided a rediscovery and re-interpretation of the tradition and completed its"Chinese"structure of modern aesthetic theories. In this process,Zong Baihua has made deep implications in creative transformation of value of the Chinese cultural spirit and the tradition of Chinese aesthetics,and it has also provided implications on unique and profound methodology.%在"中国—西方"关系模式中,本土思想资源的重新发现或理论接续,需要能够同时有效解决"传统—现代"的文化分裂所带来的理论建构有效性问题.面对"中国—西方""传统—现代"的现实张力,宗白华美学立足于"长保""中国文化的美丽精神",将美学理论建构现实地引向生活改造的具体方向."西方"的存在,为其从美学上有效激活中国资源提供了"现代"视角;对"传统"的重新发现和再阐释,完成了其对现代美学理论的"中国"建构.在此过程中,宗白华美学对中国文化精神、中国美学传统的现代创造性转换价值做出了深刻的呈示,向我们提供了独特而深刻的方法论启示.

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