史铁生人物形象创作的符号化

摘要

Only in the view of God can physical disability of humans be contrasted against the perfection of God, and thus the distance of aesthetics is generated. Literal works of Shi Tie-sheng are the world of conflicts between divine, demon and bestiality of humans, and images built by him are just abstract symbols of the conflicts and integration of the divine, demon and bestiality of humans. Shi Tie-sheng created two kinds of images in his works, namely, victims and horrible persons, which reveal his anticipation of divine ideals and precaution against the prevalence of demon in humans, and are also kind of indications and symbolization of his perplex of life and death.%只有在神的视野里，残疾作为人的抽象本质方能与神的圆满形成对照，从而形成审美距离感，产生审美效果。史铁生的文学世界是人的神性和魔性、兽性相互冲突、融合的世界，史铁生创作中的人物形象就是表达人的神性、魔性和兽性相互冲突、融合的抽象符号。以人显神，以神喻人，史铁生在创作中形成了受难者和可怕者两种类型的人物形象，表达了史铁生对人的神性理想的期盼和对魔性泛滥的警觉，它们同时也是史铁生对人的生死困惑和生命审美激情的暗示和象征。