首页> 中文期刊>绵阳师范学院学报 >论阎真的知识分子叙事——以《沧浪之水》和《活着之上》为例

论阎真的知识分子叙事——以《沧浪之水》和《活着之上》为例

     

摘要

知识分子是社会群体中擅于将传统和现代的冲突显像化的群种,其文化素养的积淀、对情感的鲜明感知以及对社会文化现象的过敏性人格都是使之成为文化之镜的理由.阎真的创作是现代性历史语境中的典型知识分子叙事,这不仅表现为主人公的知识分子身份,更是因为在对中国当代知识分子精神困境的聚焦之上,以典型人物映射出人类生存本质的现代性悲剧.其中,尤以《沧浪之水》与《活着之上》最具代表意义.%The intellectual is a social group being good at displaying the conflicts between the traditional and the modern. The cultural accumulation,the distinct perception of emotion,and the social culture phenomenon of allergic personality are the reasons of becoming the mirror of the culture. Yan Zhen's creation is a typical intellectu-al modernity narrative in the historical context,this is not only the protagonist's identity of intellectuals,because of its focusing on the spiritual predicament of Chinese contemporary intellectuals,with typical character mapping out the tragedy of modern nature of human existence. Among them,Kaleidoscope and Alive are the most significant rep-resentatives.

著录项

相似文献

  • 中文文献
  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号