首页> 中文期刊> 《嘉应学院学报 》 >“五四”时代的共名化想象--论巴金“激流三部曲”中的女学生书写

“五四”时代的共名化想象--论巴金“激流三部曲”中的女学生书写

             

摘要

The writings on female students in"Torrent Trilogy", a masterpiece of Ba Jin, are very typical descrip-tions and interpretations of the "May Fourth Movement". It is obviously recognized that people's personalities dur-ing that periodare deeply influenced by the "May Fourth Movement" and itsvalue orientation, particularly through those female students represented by the name of"Qin" in terms of their knowledge structure, action competency, visions of love and even destinies. What is important is that Ba Jin places all his memories, thoughts and recogni-tions about that movement on thecharacterizations of those female students, so as to stand fast and carry forward the enlightening spirit of the "May Fourth Movement".%“激流三部曲”中的女学生书写,是一种典型的对“五四”的叙述和阐释。巴金笔下的以琴为代表的女学生,无论在知识结构、行动能力还是情爱观念的层面,呈现出来的都是典型的“五四”式个人的特征;其命运走向也大抵遵循“五四”文化理想的价值导向。在对女学生形象的想象和构建中,寄予的是巴金对“五四”的回忆、认知与思考,体现的是他对“五四”启蒙精神的传承和坚守。

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