涵泳：中国古代文学创作视域下的审美体验思想

摘要

涵泳是中国古代文学理论批评中一个重要的理论范畴，在古典学术语境中，它作为一种艺术认知手段广泛地存在于文学审美活动中。文章从诗文创作的视角，从诗文声律讽诵、因声求气的主体性研摹、自然“悟入”的锻造与提升三个创作阶段对涵泳之中的审美体验进行了论述，彰显出了传统文学创作理论重诗法技艺与贵自悟独创的精神意蕴。%“Hanyong”is an important theory of the Chinese ancient literary theory criticism and widely exists in aesthetic activities as a means of art cognition under the classical academic context.This paper discusses the aesthetic experience in“Hanyong”from the perspective of poems‘rhythm rules,polishing and im-provement,and reaches the conclusion that traditional literary creation theory attached importance to poetic skills and literary originality.