With the upcoming of art nihility era, modern people has gradually lost the getures of themselves.This sense of lost is not only contabescence of human natural body's gestures, but also decay of the lingustic culture in the historical accumulation.Under the operation of unseen power, gesture loses naturality, and more and more lives also becomes ambiguous.Human intend to record real facts about the loss and recover it through the image world in cinema.Agamben offered his reflections on modern artistic crisis in the early period, and later explored the image in the artistic expression.In this process, the creative"Theory of Gesture" was put forward by him.Thus, pure gestures indeed present human's presence of"being-in-a-medium" by his own power, make the impossible possible, and provide an open space for the coming community, whcih is a non-centralized, un-teleological, not identity political community, it is a common group purely mediated by politics.%随着艺术虚无时代的到来,现代人逐渐丧失了自身的姿势.这种丧失既是人类自然身体姿势的衰亡,更是历史积淀的语言文化姿势的衰微.在不可见的权力运作下,姿势丧失自然性的同时,越来越多的生命也变得模糊不清.人类企图在电影中通过影像来捕捉丧失的姿势,找寻姿势的复归.阿甘本正是在对现代艺术危机,到对艺术表现中影像问题的思考过程中,形成"姿势论"的批判.由此,阿氏展现了纯粹姿势凭借自身的力量呈现人类"中在"的在场,驾驭其中不可能的可能的场景,并为将来提供了一个开放性的空间,一个非中央集权的、非目的论的、非身份政治的,即政治作为纯粹中介性的来临的共通体.
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