风景描写历来是乡土文学艺术魅力的重要构成,乡土散文亦不例外。1980年代以降的乡土散文中的风景描写出现了与1930年代迥乎不同的艺术风貌,这具体表现在三个方面：＂风景＂的呈现因＂行走＂方式而改变,归根结底是因作家的心灵视野与感悟方式而改变;对＂风景＂的陈述、议论代替了对风景的感觉、体悟,导致了风景描写的理念化;在本质层面上,乡土散文中的风景描写的弱化、异化意味着乡土自然与人的关系的变化,乡土风景从散文家的精神同一体异化为了散文家的沉思＂对象＂。%Landscape description has always been an important compoment of aesthetic charm in local literature,while local prose is no exception.Landscape description in local prose since the 1980s has presented an art style different from that of the 1930s,as is evident in three aspects： the expression of ＂landscape＂ varies with the change in the manner of ＂walking＂,which is,in nature,the change of the writer＇s psychological perspective and their manner of perception;The substitution of statements of and discussions on ＂landscape＂ for the feeling,experience of landscape has led to the abstraction of landscape description;the weakening and alienation of landscape description in local prose means,in essence,the change in the relationship between local nature and people,while local landscape has been alienated from the spiritual unity of essayists to the ＂object＂ of meditation on the part of essayists.
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