基于地域文化视野的黄梅戏审美范式的历史形成与审美张力

摘要

Huangmei Opera originated from folk arts around the bordering areas between Wan ( Anhui province) , E ( Hubei province) and Gan ( Jiangxi province) . This unique regional culture provides favorable space for its growth and reproduction and thus it forms its own style and aesthetic paradigm in language, tune, music and performance. The aesthetic tension between being rooted in and transcending over regional cultures makes Huangmei Opera easily transmit and develop trans-regionally and cater to the need of different audience. Based on the case study of Huangmei Opera, this paper can make us learn the relationship between the regional features and regional cultures of the local operas deeply and understand the important theories and practical problems in the trans-regional spread and development of lo-cal operas.%从地域文化与文化地理的角度考察，黄梅戏起源于皖、鄂、赣三省毗邻乃至周边更广袤的民间语境。这种独特的地域文化生态给黄梅戏提供了非常有利的生成与繁衍空间，使得黄梅戏在语言、声腔、音乐与表演等方面都形成了自己的剧种风格与审美范式。根植地域而又超越地域的审美张力，使得黄梅戏可以较易获得超地域性流播与发展，适应不同受众群体的需求。基于黄梅戏的这种个案研究，可以让我们深入认识地方戏的地方性与地域文化之间的关系，以及地方戏的超地域性传播与发展等重要理论与现实问题。