敦煌古代工匠与佛教艺术的民间性

摘要

本文从敦煌佛教艺术的题材内容的选择、表意方式以及美学特征等方面入手，对敦煌古代工匠与佛教艺术的民间性等相关问题作一初步探讨。敦煌艺术以佛经为依据，以现实生活为素材，经过“万类由心”的营构过程，创造了神人结合的形象和宗教幻想境界。形成了具有中国特色的新风貌和独特的体系。%From the selection of subject content, notional style and the aesthetic features of Buddhist art of Dunhuang, this pa- per makes a preliminary discussion on related problems about ancient artisans of Dunhuang and the folk of Buddhist art. Taking Buddhist scriptures as the basis and the real life as the materials, Dunhuang art created the image of the man and God and reli- gious fantasy realm, formed a new style with Chinese characteristics and unique system throgh constructed process of "every- thing by one's mind".