在书法理论中，傅山通过“作人”“正”“奴”等概念深入表现其遗民人格。在书法创作中，傅山通过笔力、“奇字”、率性、疾速等表现方法和“丑”“拙”“支离”“直率”等创作审美来表现其遗民人格。遗民人格对傅山书法理论的渗透，能够使其书法理论观点鲜明、内涵深刻、铿锵有力和感人至深，但往往带着某些偏激。这种渗透，能够在其书法创作的取法对象、表现形式和意境创造等方面产生重要作用。%Fu Shan, a royalist of the demised Ming Dynasty, surviving in the governance of Qing Dynasty, developed a personality of integrity and allegiance to his demised empire, in accordance with the ethics of Chinese feudal society. Therefore, such a person-ality resulted in a penetrative transfer into his calligraphy theory which reflects his personal viewpoints, and energetic and persuasive features. Meanwhile, his personal values pushed his calligraphy theory into depth, promoting the dissemination of his theory with fas-ter speed and broader influences. In his works, Fu Shan created so called"weird" style with forceful strokes of swift but majestic ex-pression and aesthetical implications, which bring his personal values in full display. His personality provides momentum in his calli-graphy practices in the choices of subject matters, aesthetics values.
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