新世纪中国电影中的启蒙话语

摘要

Since the new century,with the rapid development of globalization and the deepening reform of film industry, box office has been a great concern of people,which to some extent overshadowed Enlightenment discourse theory.The author expresses the enlightenment discourse from the cultural reflection in heterogeneous space and the art in the histori-cal events,reveals the reason why the box office fails and where unclear expression comes in the film.Emotional enlight-enment is offered to attract moviegoers while self-enlightenment is against enlightenment.At the same time,we should a-dopt “shared dialogue”instead of “soliloquy monopoly”opinion to participate in the film culture expression value,provi-ding reference for the Chinese film culture “stand up”and “going out”.%新世纪以来，在中国经济汇入全球化激流的大背景下，随着电影产业化改革的深入，对票房经济的专注在某种程度上掩盖了对启蒙话语的理论分析。基于此，从异质空间中的文化反思、历史事件中的艺术揭密两个方面梳理启蒙话语在影片中的存在形态，指出此类影片票房不济、表达不清的原因，提出以感性启蒙吸引电影观众、以自启蒙抵御被启蒙，同时以“对话共享”而非“独语垄断”的文化立场参与影片价值观的表达，为中国电影文化“站起来”“走出去”提供借鉴。